Another main difference between this and Arular is the overall quality of the music- all 12 tracks have a much more polished feel to them, in all senses The colossal beats are more clean-cut, Maya's voice is now the centre of the songs and the album seems more like a production rather than a random collection of beats and raps. Whereas many loved Arular purely for it's beats- disregarding Maya's vocals all the while- I hope the reception for Kala will be based on the beats alongside her rapping/singing. is an artist with some real substance and staying power. This album is a definite improvement over her first offering, and really proves to all the hater's that M.I.A. But is there anything I don't like about it? Well, it's verging on being a bit overlong at 12 tracks full of beats, but the mix is better than last time around because of slower tracks such as Paper Planes, which has a full choir in the background, alongside gunshots of course. But never mind that- this is an album that transcends cultural differences: I love all the songs on this album, even though I can't make sense of at least 5 of them. On top of this, there are numerous Bollywood references and cultural secrets, something which I didn't notice but are evidently there (check out fansites for proof). features the lyrics of The Pixies 'Where Is My Mind?' as it's chorus, and Paper Planes openly samples The Clash's 'Straight To Hell'. If you listen closely, there are numerous pop culture references hidden on the album: on 20 Dollar M.I.A. Kala is a much more intelligent album than it's predecessor, which is saying something considering Arular was hailed for its political poignancy. The rest of the album has a consistently great mix of beats and raps, with standouts being 20 Dollar, XR2 and sleek album closer Come Around, featuring Timbaland, who was one of the producer's on Kala. Then comes the one-two punch of Boyz, my personal favourite, a relentless track with lyrics that I can't even begin to comprehend, and then Jimmy, a remix of a song from Disco Dancer, 1982 Bollywood Film. This soon passes, though, and by the time you reach leaked single Bird Flu you wonder where her voice was last time around (Bird Flu features the original sample of a chicken- appropriate, don't you think?).
If it's possible, there are even more genres forced together on this album, but the change made has been towards the albums' production: front and centre this time lies Maya's voice, which has progressed towards the point where she is singing alongside her trademark rapping, something which is quite unsettling when you first hear it on infectious opener Bamboo Banga.
First off, what's changed since Arular? Well, she seems to have focussed her sound, only not in the way you would expect. A couple of weeks ago I highlighted the release of Kala, M.I.A.'s second album, which I now possess- this is a comprehensive review of her Mercury nominated album.
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